Vogue, one of the world’s premier fashion magazines, features actress Angelina Jolie on the cover of its January 2007 issue. Jolie wears a raspberry rayon matt jersey evening dress that drapes across her body in perfect, sensual symmetry—there’s a sari-like hint to the drape of fabric against her legs. The classic, elegant look comes from the design table of Bliss Blass, a New York couture house with clients as diverse as Oprah, Laura Bush, and Sigourney Weaver. What most Nepalese don’t know is that one of the designers of the label is Prabal Gurung, whose rise to meteoric New York success rivals those of the best stars.
A St Xavier’s graduate, Prabal was the only one of his class to study this field in 1990. Like all boys, he struggled to belong, but was made to feel different. However, this very sense of being “different†helped to push him to define his sense of identity later on in life.
Prabal went to Delhi, where he attended the National Institute of Fashion Technology and worked for the Indian designer Manish Arora. So when he was accepted to the Parsons School of Design, New York’s most prestigious school of fashion, of which Donna Karan, Marc Jacobs, Tom Ford and other influential designers are alumni, he was already a veteran industry insider, as well as a student with a deeply serious interest in his art and business.
Prabal went on to win the Best Designer competition between Parsons and the Fashion Institute of Technology in 2000. The next year, the faculty asked him not to compete, but to open the show instead, which he did featuring 15 looks of his work. The designer Cynthia Rowley, who was a judge at the show, was so impressed she offered him a job on the spot. After three years with Rowley, Prabal moved to Bill Blass. And the rest, as they say, is history.
I knew Prabal in New York (he was at Parsons, I was at the New School’s graduate programme in anthropology, a block away). The stress of student life in New York was alleviated by fun evenings with Nepali friends, and Prabal was always a key participant. He sang, danced and displayed an incredible memory for old radio Nepal jingles, and a hilarious talent for parodying Nepali pop songs. His side-splitting Tara Devi imitation: ko hoo ma? Kay hooo ma? (Who am I? What am I?) is pure genius.
I have hours of video footage of Prabal that makes me suspect he would be as good in the acting world as he is in the fashion one. He can dredge up an Urdu shairi, switch effortlessly into mainstream American chit-chat, then return to a slap-dash Nepali insult within the space of a sentence. I was impressed by Prabal’s ability to navigate through multiple cultures simultaneously. But while Prabal is undeniably at home in New York, he never forgets his Nepali roots, or his family.
“The most important influence in my life,†says Prabal, “is my family. My mother a strong, opinionated, hard working and extremely compassionate renaissance woman whose sense of style, grace and ability to look like a million dollars even in a shoestring budget has left a huge impact on my life. My drive and desire to succeed has come from her.
I am a product of her in every sense. My father’s sartorial elegance, optimism and relentless pursuit to provide us with better education made me confident to hold my own today.†He also cites his sister, brother and brother-in-law as a major source of inspiration and support.
Having a close and supportive family network helped him not only to weather tough times, but also to share, communicate and articulate his dreams in a way that served him well in the hyper-competitive environment of New York. Prabal’s mother had faith in his dreams, and refused to listen to people who said she was a fool to let him study fashion design. Yet she believed in him, and her faith was eventually justified.
I was often amazed by Prabal’s ability to party, while simultaneously excelling at work. There was no doubt he was the best amongst his peers. What is your secret? I asked him once. And he told me: “The key is to make it appear effortless by working hard when nobody’s looking.†As we looked through the beautiful drawings of his portfolio, we had no doubt that Prabal was working extraordinarily hard at the job he loved best.
One evening I showed up wearing a mirrored Gujarati shawl, which Prabal took from me and meticulously molded, twisted and shaped into a dozen different outfits—a skirt, a shirt, a dress, a hairband, a wrap. Watching him at work was akin to watching a painter rapt in his painting, or a musician in his instrument—there was no doubt that I was watching a master of his art working on his creations.
Prabal’s daily routine these days is the stuff of fashion magazines. He dresses the First Lady of the USA, and her daughter. Oprah Winfrey-- “the most influential woman in the worldâ€--according to some commentators, chose to buy and wear a Bill Blass dress not just on the cover of her O magazine, but on the very special day on which she opened her $40 million leadership academy in South Africa. But despite these successes Prabal is not satisfied. “I have lots to achieve.
This is something I have learned from my mother. With every achievements and success she always asks me: “That is great, but what’s next?†so that kind of zeal and drive has kept me going,†he says. “I will feel a real sense of achievement when I am able to give something back to my country. The day I can make a contribution to Nepal, socially and/or economically, I’ll consider that a job well done.†Prabal eventually wants to create his own label—one that would show the world that creative minds can also come from a small country known mostly for its exotic factor.
Prabal’s farewell party when he went to New York left people gasping as he showed up—fashionably late—in an outfit that Kathmandu had never seen before, and probably never will. His ability to leave a shimmering impression of imagination, longing and fantasy will no doubt show its hand again when he returns, time and again, to visit his home country.
Fashion design falls low on the hierarchy of the doctor-engineer obsessed Nepali culture. But fashion is a billion dollar business globally. In places like New York, fashion has received its due as a significant shaper of contemporary culture, and a potent hybrid of art and commerce by being featured at institutions like the Museum of Modern Art (MoMA.) It's time Nepal embraced its own artists in the fashion world with credit that’s long overdue.
(Sushma Joshi is a writer and filmmaker. She can be reached at: sushma@alumni.brown.edu)
hahahahahaha.....look at this thread. speaks so much about Prabal Gurung, haina? haha..sorry Prabal, ke garne bro, as long as CLEO is in and around sajha, digression like this is bound to happen haha :P
Cleo, no one is confused. you are the confused one!!!.couldn't hold your emotion together, could you?--you hyper-sensitive lil' kiddo!! but u always forget that this is damn freakin "www" ! :P check in google for it's full meaning before being more embarassed, you stupid keti !!!hahaha...oh well, but then again, why would you care haina? you're meant to be the drama queen ni pheri...role ta play garnu pari halyo ni :P
oh and wedding singer and me?..that would be great for you. you don't deserve any better singer than me for your wedding. would be a perfect icing for your wedding cake. don't worry. and yeah, don't do naatak here, coz u know you're the one whose gonna shed a river that day if you get someone other than me hahahaha:P-- kun chahin bahula kukur hola sansar ma timi sanga wedding garne, let's see :P
as for my better half, this is how our ending is gonna be like ahem! :P
Captain, Sndy, Lemon --- Cleo's not gonna invite any of us, she is a shy girl in disguise. I know what she will do if she has to meet all three of you together --" NAI NAI NAI NAI" laaj lagchha malai!!!" hahahahaha..i can envision her blushing right at this moment hahahaha :P
Loote! I can't view the video clips right now but is that one from 'Four Weddings and a Funeral"? and the dialogue goes like " .. Charles: There I was, standing there in the church, and for the first time in my whole life I realised I totally and utterly loved one person. And it wasn't the person next to me in the veil. It's the person standing opposite me now... in the rain.
Carrie: Is it still raining? I hadn't noticed. .. "
Cleo! the Wedding Singer was a funny a*s movie. hehe!
TM, Yeah, it is from Four Weddings and A Funeral.... I just love Hugh Grant's Accent.....ammm.... Hareeeeeeeeeeee, kasto birseko timile?What happened to your memory honey? 24-12 mins ko interval samma ni retain garna nasakne....TM this is a serious case.....:P
Another name in the international arena? Good going and all the good wishes for Mr. Prabal. Hope he does touch the height of the sky and make us proud! Btw, he does look sensual in the first picture posted by TM. Hehehe
Damn! the guy in the middle almost got laid with innumerable Nepalese Miss Congenialities. See! I am here right on time to rescue all those nakkali maiyas. Now they know what real Prabal looks like, they all will be routed to the right guy. Hehe!
gallery space in Chelsea. While Mr. Gurung says he isn’t going after the Bill Blass customer, the designer’s description of his target audience sounds awfully familiar:
“There’s not a contemporary feel to it—these are investment pieces: beautiful cashmere coats, amazingly well-made dresses that are going to last you forever,†Mr. Gurung says. Retail prices for blouses will start at $400 and dresses will retail for $900 to $4,000, he says, adding, “I’m going after the lady who wants to look beautiful and wear her clothes rather than have her clothes wearing her.â€
Mr. Gurung says his strategy for debuting a new line during a recession is to keep things small—his self-funded first collection will feature only 20 looks, about half the number that many designers show per season. And while he is hoping for high-end stores to pick up the line, he says he’s hoping to keep distribution small at the beginning, selling to a few select stores and fashion-forward retailers like Net-a-Porter or Manhattan boutique Kirna Zabete. And, of course, Mr. Gurung is hoping to attract investors.
Prabal Gurung
A sketch of looks from Prabal Gurung’s Fall 2009 collection.
“Controlled distribution is my mantra—I’m in no rush to be the next big thing,†says Mr. Gurung, who designed for Cynthia Rowley before joining Blass. While at Blass, he filled in as chief designer of the Spring 2008 collection before Peter Som took over as creative director. (Peacock International Holdings LLC, the New York shirt and tie manufacturer that in December purchased the worldwide rights to the Blass name and about 20 of its license businesses for $10 million, hopes to revive the high-end line by the end of the year. Mr. Gurung says he has not been contacted by Peacock about designing the line and is instead focused on
launching his own label.)
For his first collection, Mr. Gurung says he’s targeting wealthy women who don’t mind paying more for items that are made with expensive fabrics or have unusual design details. Fabrics he’s currently using include super-soft Italian double-faced cashmere and a type of satin that has woven-in horse hair, he says.
“The rich are still spending a lot,†he says, noting that his years at Blass taught him about catering to this crowd. “At Bill Blass, I learned the way clothes are supposed to be made—there are no shortcuts. Just well-made, well-finished clothes. That’s the kind of approach I’m taking– it’s not about being trendy.â€
Jennifer Altman for The New York TimesLooks from Prabal Gurung’s collection.
Thanks to everyone for the interesting to & fro on Michelle Obama’s wardrobe and Ikram Goldman. A number of people called this way of shopping with one boutique owner modern. It is certainly loyal, but women, whether they are homemakers with children or women with demanding careers, have been relying on specialty stores and personal shoppers for years. Alex A, I appreciate your account from Chicago. Most of us who follow fashion have had the good fortunate to know a lot of savvy retailers. Off the top of my head: Hattie Belkin, Linda Dresner and Lynn Portnoy from Detroit; the late Lynn Manulis of Martha; Ron Herman in L.A. and the super-smart Nina Garduno; Katy and Matthew Culmo in Austin, and of course Marilyn Blaszka and Dominic Marcheschi at Blake in Chicago.
Last night, I’m sure a few memories were made on W. 25th Street. The wind was blowing hard, the cars and taxis were double-parked, and people were streaming in and out of the galleries for the Thursday-night openings. Prabal Gurung, a former assistant at Bill Blass, presented his first collection, at the Flag Art Foundation. The place was jammed. Twenty models stood on a platform in Gurung’s elegant-looking cocktail dresses, boxy cashmere jackets, and silk faille tuxedos. His muse is clearly Saint Laurent. But alright: Gurung, a native of Nepal, keeps the attitude young and he knows about things like proportion and finishing. One of the top looks was a loose, tiered halter dress in silk chiffon embroidered all over in black beads. The shapely halter neck of the dress played against the open back.
What are your first memories of when Nepal Television Began?
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